BAJO SUS PIES

2020

In Bajo sus pies, the narrator returns to her hometown to mourn the death of her mother and take over the administration of the family land, both a challenge and the fulfillment of a mandate. The pampas and the agricultural industry; the fallow, the sowing and the harvest; the series and movies that she watches to evade reality, all is mixed in a story that is the story of a mother, a daughter and a family but also a novel about the current pampas and the complex and fascinating destiny of Argentina.

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PREPARACIÓN PARA EL AMOR

2015

“It must be said bluntly and at once: this new book by Leticia Obeid can be read fluently, with sustained enjoyment and without any drop in interest, practically non-stop and from end to end. But, in addition, Obeid’s writing inspires confidence, which is not a literary assessment – in which case it would be an overly subjective, impressionistic judgment – nor the willful whim of a reader with easy fascination. There is a vital honesty that is breathed in the text, from which an immediate feeling of naturalness, of domestic simplicity emanates; something that is not, eventually, only in the contents or in some conjectural spirituality of the author, but in the very matter of a writing that becomes credible and palpable almost to the touch, like a precious illuminated physical object, beyond the fictional truths or lies, confessions, true anecdotes or fantasies, which are also there. “

Eduardo Stupia

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TO WRITE, TO READ, TO LISTEN

2015

Monographic book on some visual works of Leticia Obeid and their relationship with writing. Back cover:

“Thinks then that if everything were in its place, that if the center were the center, occupied by the center, the main matter, and outside the garlands, fruits and small threads, everything in its place, then it would be easier to write. There will no longer be as many doubts as there are plains interposed between the moment and the keyboard, between the fingers and a pen, between her horizontal body and her seating body, diligent, with downcast eyes as if making a protective tent betweenher body and the world, and then everything would become unitary and ordered. The plenitude would dislodge all those remains of things, of time, of memories and minutiae, the small and infallible fissures that wrinkle the edges and little by little begin to encompass the center. “

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FRENTE, PERFIL Y LLANURA

2013

“Following the autobiographical Benjamin that Sontag visits in Under the sign of Saturn, here time becomes space and Frente, perfil y llanura traces the cartography of a sensibility. In this journey to the geographical interior and to the interior of Elena, the story breaks all chronological continuity, but in these disruptions it maintains simultaneity. It is not a linear path or the mere superimposition of a character in an environment, nor is it the chronological succession of memories or the static contemplation of the past. There is a concern for accurately registering the streets, the paths, the traps, the landmarks, the sentimental constitution inscribed in the landscape. “

Alejandra Baldovin 

SE CONOCE QUE SÍ

2012

“It is known that it is the first book by Leticia Obeid. A long story that narrates Elena’s adventures: after a hangover party in Buenos Aires, she takes a bus to her hometown. The plan is to stay a few days, perhaps to recover emotionally. But a mother, a dog, relatives, friends from adolescence and the town, everything seems to conspire so that Elena does not leave. Ravaged by a drought and with the threat of a storm that does not finish unleashing, the town weaves its webs. Precious descriptions, funny scenes, prose sensitive to the rhythms of speech and the senses on a journey to the center of the soul that, in the case of exiles, it is known, remains in the middle of the birthplace”.

Blatt & Rios, 2012

THE VISITORS

2011

Travel chronicles anthology.

“What do we do when we travel? We always check something, ”says Proust. Is there the voice that I hear in the chronicle? I do not know, but it is the voice that proves that the lost body was there in the space-time of the trip. In the turn there are signs that resonate. Write and read in the thought forest of the world. The visitors, unconscious chroniclers, immerse themselves sensually and perceptually, inhabit the mystery of things, fearlessly going in and out in circles. “

Belén Rivero Ríos

NEW NARRATORS AWARD

2010

Ricardo Rojas Cultural Center.

Leticia El Halli Obeid (1st prize); Juan Maisonnave (2nd prize); Laura Gruppo (· er prize); Thomas V. Richards; Facundo Gerez; Fernando Krapp; Alfredo Staffolani; Natan Ariel Rajchenberg; Cecilia Boullosa; Marina Jurberg.